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Livingetc has reported on a Paris family home designed by Studio HA inside a former 300-square-meter garage. Designers Hugo Vince and Adèle Nourry combined Space Age furniture and custom forms with references to Art Deco swimming pools and 1960s Japanese love hotels, while reorganizing the open volume around a shared living area.
Studio HA has converted a former 300-square-meter garage in Paris into a family home whose interiors draw on Space Age design, Art Deco swimming pools and 1960s Japanese love hotels, according to a Livingetc feature. Designers Hugo Vince and Adèle Nourry said the main challenge was making the building’s 6.5-meter-high, open volume feel welcoming without losing its scale.
The home is organized around a shared living area that connects the kitchen, dining space and lounge. Rather than divide the large interior into a series of closed rooms, the designers used changes in ceiling height, lighting, wallpaper and partitions to distinguish areas and shape how residents move through the home. Nourry described the intended route as entering through the kitchen, then moving through the dining space to the living room.
A curved mezzanine above the kitchen was designed from scratch to provide a home office, an additional room the original layout lacked, Vince said. It also creates a landing with a view over the living area. The designers used a colored carpet there to add softness, and said the mezzanine lowers the perceived ceiling above the kitchen.
References vary by room. 1960s and 1970s Space Age style informed furniture and custom details; Art Deco swimming pools inspired the mosaic; and the main bedroom suite drew on 1960s Japanese love hotels, Vince said. The kitchen has a curved, oversized design and a hand-patinated silver-leaf finish. Nourry said the team developed the surface with decorative painter Antonin Lamoot to echo the building’s industrial history.
How the Garage Became a Family Home
The project shows how the design team addressed a practical problem created by the building’s large, open interior: providing a sense of intimacy and usable rooms without simply breaking the space into smaller compartments. The shared living area gives the home a central gathering place, while the mezzanine adds a dedicated work area and changes the scale of the kitchen below.
For readers interested in residential design, the reported approach also offers a specific example of how several historical references can inform one interior. The designers said they combined influences rather than recreating a single period faithfully. Their account links those references to particular materials and spaces, including the mosaic, bedroom suite, chrome details and kitchen finish.
The feature records the designers’ intentions and descriptions of the finished home. It does not provide independent measurements of how the layout performs for the family or an evaluation of the project’s cost, construction process or long-term durability.
Art Deco swimming pool mosaic tiles
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Design References Across the Interior
Livingetc identifies the project as a Studio HA design and names Hugo Vince and Adèle Nourry as the designers. The supplied report does not give the home’s address, the clients’ names or the date when the renovation was completed. It describes the former garage as having a volume the designers wanted to preserve while making it feel like a welcoming home.
The clients already owned some Space Age furniture, which Vince said helped set a direction for the project. The team combined that starting point with other references and a 1970s-inspired color palette. According to the feature, internal glass dividers, Venetian blinds and layered lighting help separate bedrooms from the central living space without changing the overall open arrangement.
The article also describes bespoke cabinetry and furniture with curved forms and softened edges. These details were intended to carry the former garage’s industrial character into a softer interior, according to Nourry. The supplied source ends during a further description of kitchen material sourcing, so it does not establish what other finishes or products were used.
“The volume of the former garage was extraordinary, but we needed to ensure that nobody felt lost within it.”
— Hugo Vince, Studio HA
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Details the Feature Does Not Provide
The supplied report does not identify the homeowners, give the property’s address or state when the conversion was completed. It also provides no budget, construction timeline, planning details or account from the residents about living in the home.
Some project details are missing because the source text provided here ends partway through its discussion of materials. The full specification and the identity of the other suppliers, if any, cannot be established from this material. The designers’ comments describe their intentions; the source does not include independent assessment of the home’s performance or the family’s response.
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Further Project Details Await Publication
The supplied source gives no announcement of a follow-up project, public event or additional reporting date. Further specifics about the renovation would depend on information from Studio HA, the homeowners or a fuller version of the Livingetc feature. Until then, the confirmed account is limited to the reported layout, design references, selected materials and explanations from the two designers.
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Key Questions
Who designed the Paris home?
Studio HA designed the conversion. Livingetc identifies Hugo Vince and Adèle Nourry as the designers who discussed the project.
What inspired the interior?
The designers cited 1960s and 1970s Space Age style, Art Deco swimming pools and 1960s Japanese love hotels. The feature connects those references to furniture, the mosaic and the main bedroom suite.
How did the design team organize the former garage?
They made a central living area the home’s shared anchor and used a curved mezzanine, lighting, wallpaper and partitions to shape the open space. The mezzanine also provides a home office.
What remains unknown about the renovation?
The supplied report does not state the home’s address, the clients’ names, the project cost or completion date. Its text also ends during a discussion of materials, leaving some specification details unavailable.
Source: rss
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